As a magazine model, my work involved creating individual static poses, but I was seeking something more—fluid, continuous movement that would enhance my craft.

After learning YiShuiKong, my previously two-dimensional movements transformed into something three-dimensional and dynamic. What fascinated me most about YiShuiKong is how the movements flow seamlessly while maintaining distinct definition and precision. I wondered how this was possible.

Once I began practicing, I realized this isn't something you can master easily—it requires dedication and skill. This is definitely a technique I'm committed to developing and perfecting in my work.